@ RUPERT
Vaidilutės g. 79
Vilnius 10100, Lithuania
Entangled Tales brings together local and international artists to look at the ways in which we think, communicate and live with matter.
The exhibition’s theme takes the lead from the artists’ practices and recent feminist approaches to materiality and ‘new materialism’.
It considers how our correspondences with the matter with which we are entangled offer ways to explore memory, the body, forms of participation and modes of knowing.
Acknowledging the work of art as something which we continue to think with and through, the exhibition asks how we tell the entangled tales of which we are one thread.
There will be an accompanying programme of tours, talks, events and workshops, including a lecture by Dr Rick Dolphijn and workshops by Anastasija Sosnunova , Sarah Chow and Daniel Rossi. Palanga Street Radio will be DJing on the opening night.
Curators: Justė Jonutytė and Yates Norton
Artists: Rebecca Ackroyd, Stefania Batoeva, Julie Bena, Ragna Bley, Than Hussein Clark, Olivia Erlanger, Merike Estna, Daiga Grantina, Celia Hempton, Tamara Henderson, Ieva Kraule, Jenine Marsh, Daria Melnikova, Rūtenė Merkliopaitė, Mikołaj Moskal, Rosalind Nashashibi, Athena Papadopoulos, Zoë Paul, Daniel Rossi, Viktorija Rybakova, Anastasija Sosunova, Indrė Šerpytytė, Jala Wahid
Architects: Ona Lozuraitytė and Petras Išora
Co-ordinators: Vitalija Jasaitė and Kotryna Markevičiūtė
Poster design: Goda Budvytytė
Supporters: Lithuanian Council for Culture, Vilnius City Municipality, Office of the Embassy of Canada to Lithuania, Pakrantė, UAB Exterus
Katja Blum
Henning Fehr und Philipp Rühr
Lina Hermsdorf
Daniel Rossi
Amelie von Wulffen
SUPERVISION
ist eine Ausstellung mit 23 jungen Künstlern aus Leipzig, Bremen, Düsseldorf und Berlin.
Teilnehmende Künstler:
Ellen Akimoto
Christian Bär
Johannes Daniel
Fidschi Fischer
Wilhelm Frederking
Liat Griver
Vincent Haynes
Florian Hesselbarth
Orsi Horvath
Stephan Jäschke
Sophia Kesting
Adrian Kowalski
Oliver Krebeck
Olga Monina
Silas Mücke
Peter Müller
Norbert Reissig
Daniel Rossi
Manuel Stehli
Manuel Schneidewind
Malte Stiehl
Hannes Uhlenhaut
Lydia Wahrig
Specials:
+Fortune cookies for artists and creatives by Orsi Horvath und Anna Nero
+Edition "On Point" von Silas Mücke
Öffnungszeiten:
Freitag, 23.06, 16 - 21 Uhr
Samstag, 24.06, 16 - 20 Uhr
Sonntag, 25.06, 14 - 17 Uhr
Lesung Florian Hesselbarth: Donnerstag, 21 Uhr und Freitag, 19 Uhr
Supervised by Anna Nero, realisiert mit freundlicher Unterstützung des Kulturamtes der Stadt Frankfurt am Main.
Matthias Esch & Daniel Rossi:
“The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. …
The heavier the burden, the closer our lives come to the earth, the more real and truthful they become.
Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights,
take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?”
-Milan Kundera, “The Unbearable Lightness of Being”
…he was promised mercy and forgiveness.
All he had to do was admit that he was a wizard, and the pain would stop.
As his body convulsed and contorted under the weight of the tones, he kept repeating the same demands, which would also be the last words he would ever utter:
“More weight! More weight!”
............
Die beiden Maler aus Berlin und Bremen zeigen ihre Arbeiten in neuer Zusammenstellung. Sie suchen nach “Points of no return”, die sich als Ursprung neu-definieren, und sich dabei in ihrer Malerei manifestieren. Sie stellen die Frage nach der Schwere und der Leichtigkeit, ersteres als zentrale Kraft zum Erdmittelpunkt und den Dingen. Die Leichtigkeit erscheint dagegen als sich verflüchtigendes Moment, dem das ideelle innewohnt – und somit Leichtigkeit und Schwere auf mögliche Ursprünge zurückführt.
Die beiden Künstler suchen nach malerischen Formen dieser beiden sich wiederstrebenden „Ursprüngen“
Lukas Geisseler
AWOL zeigt 9 junge internationale Positionen, die sich anhand verschiedener Medien mit den Themen Abwesenheit, Kommunikation und Zensur auseinandersetzten.
The works of Oliver Krebeck and Daniel Rossi appear quite different at first glance: abstract painterly pictorial compositions are compared with photographic and object-like works. Upon closer inspection however, one can see the connecting themes. "Material Translations", is the commonality within which the two artists situate their respective practices. This provocation aids the translation of found footage or objects into new forms and contexts, or even a change of state or perception of a material or image object. The translation process and the development process of a work is important to both Daniel Rossi and Oliver Krebeck.
Join us for a Symposium and experimental sound performance at The Lofthouse on Saturday 18th June at 7pm.
The Term *Tracking is currently used for a variety of applications that follow and record movements. It is known that activities on the internet are often tracked without the user’s knowledge.
*Tracking has many different uses in military as well as civil contexts. Examples include radar systems for air surveillance or the computational identification of objects in traffic.
Tracking Tracks is a project by Research and Waves with the artists Norman Neumann, Gustavo Mendez and Daniel Rossi In the context of this exhibition *Tracking is the act of following an entity in its movement. A *Track is the manifestation of this movement from (or through) A to B and possibly beyond. This trace of movement between the artworks placed on the walls and within the room will become visible as well as audible.
A *Track is also a sound stored on a record, separated from other *Tracks by moments of silence. The exhibition – Tracking Tracks – follows these principles, and creates traces between the artist’s works and allows for new connections between the different artworks. The Tracks proposed in this exhibition are not only existing in the physical space of the gallery but also as sounds on a record and coordinates in the digital online archive of Research and Waves. During the opening at April 8th, the Artist make a performance.
So wie wir sind 1.0 stellt mehr als 140 Arbeiten und 80 Künstler*innen aus unterschiedlichen Kontexten und Zeiten unter inhaltlichen und formalen Fragestellungen zusammen. Das Ergebnis ist eine Abfolge von Räumen, die den verbindenden Faden von Kunstwerken seit den 1960er Jahren bis heute über alle Medien hinweg herausarbeiten und sich ihren Themen aus unterschiedlichen Perspektiven annähern. Dort wird z.B. (Abb)Bildern der Natur oder dem Besonderen im Alltäglichen nachgespürt, werden Körper, Zeit oder Erinnerung thematisiert, urbane Räume oder Aspekte von Sprache in den Blick genommen und grundlegende Positionen malerischer Abstraktion oder minimaler Formensprache gezeigt.
Teilnehmende Künstler*innen
Etel Adnan, Carl Andre, Arman, Robert Barry, Ross Bleckner, Christian Boltanski, Viktoria Binschtok, Louise Bourgeois, Ulla von Brandenburg, George Brecht, Elina Brotherus, Erik Bünger, Peggy Buth, Anetta Mona Chisa & Lucia Tkacova, Christo, Chris Curreri, Die Tödliche Doris, Peter Doig, Henrik Eiben, Olafur Eliasson, Robert Filliou, Berta Fischer, Urs Fischer, Ceal Floyer, FORT, Dani Gal, Isa Genzken, Liam Gillick, Katharina Grosse, Wade Guyton, Hans Haacke, Raymond Hains, Ane Mette Hol, Judith Hopf, Rebecca Horn, Leiko Ikemura, Sergej Jensen, Donald Judd, Šejla Kamerić, Emese Kazár, Ellsworth Kelly, Myong-Hee Ki, Willi Kopf, Kitty Kraus, Till Krause, Adriana Lara, Thomas Lehnerer, Klara Lidén, Richard Long, Christian Marclay, Achim Manz, John McCracken, Olaf Metzel, Tracy Moffatt, Horst Müller, Henrike Naumann, Hermann Nitsch, Giulio Paolini, Giuseppe Penone, Peter Piller, Agnieszka Polska, Larry Poons, Charlotte Posenenske, Margaret Loy Pula, James Reineking, Daniel Rossi, Dieter Roth, Reiner Ruthenbeck, Takako Saito, Karin Sander, Chiharu Shiota, Florian Slotawa, Kathrin Sonntag, Daniel Spoerri, Fiete Stolte, Hiroshi Sugito, Wolfgang Tillmans, Jan Timme, Jean Tinguely, Barthélémy Toguo, Marianna Uutinen, Mariana Vassileva, Jorinde Voigt und Corinne Wasmuht.
30. März 2019 bis 5. Januar 2020
Eröffnung, Freitag, 29. März 2019, 19 Uhr @ Museum Weserburg Bremen